After more than ten years Tannhäuser returns to Amsterdam. The Dutch National Opera brings a new production of the opera that is about the classic struggle between heart and mind, lust and love and what it means to be a man (or human being for that matter).
Tannhäuser in a staging by Christof Loy goes back to the Paris premiere of 1861 - to the Jockey club. Hypocrisy embedded in the male perspective on women finds an explicit yet thoughtful depiction on stage when the members of the Jockey Club go from sexual excess to strict prudent behaviour. Read the review here >>
NL: Tannhäuser, tussen lust en liefde
A declaration of love to one of the most extreme music genres on the planet: DEATHCORE
Bringing DIE TOTE STADT to life
De Nederlandse Reisopera brings Die Tote Stadt to life. The theatrical potential that lies in Korngold's late-romantic opera is articulated with skill in another inventive production of the opera nomads from Holland.
NL: De Nederlandse Reisopera brengt Die Tote Stadt van Korngold tot leven
Helmut Lachenmann shares the programme with Salzburg's most famous son, Wolfgang Amadeus Mozart. An aural journey from the first Viennese school to the acoustic techno, Musique Concrète Instrumentale, of Lachenmann. A listening experience in which tuning the instruments prior to a Mozart symphony becomes part of the programme.
NL: Lachenmann in de Mozart-sandwich
The Dutch National Opera closes 2018 with OEDIPE by George Enescu. An opera about a man who thinks he can escape his fate, who walks straight into it as a result, and eventually reconciles with it. >>
NL: Is de mens sterker dan zijn lot?
One More ...
In the Ring from Hong Kong, Jaap van Zweden leads orchestra and cast in a captivating journey through Wagner's Nibelungen world. Van Zweden doesn’t ride the fast lane but in a good Ring it isn't of any importance how long it takes to make it to the end of Götterdämmerung. In a good performance that end will always come too soon ... >>
"We could have went to a nice restaurant for your birthday," she says while Anette Dasch raises her skirt and pulls her tights down. The soprano who started the evening with vomiting is sitting on the toilet. Janáček's Jenůfa for the Dutch National Opera is quintessential Katie Mitchell. A director who values, above all, realism in theatre. >>
NL: Jenůfa: ijskoude realiteit en warmbloedige muziek
The Directors Company in New York stages with My Parsifal Conductor a comedic spin-off of real-life events in which Richard Wagner finds himself in a moral, political and musical dilemma when King Ludwig of Bavaria insists that the son of a rabbi, Hermann Levi conduct the premiere of Wagner’s sacred final opera, Parsifal.
An interview with playwright Allan Leicht, Eddie Korbich (Richard Wagner), Geoffrey Cantor (Hermann Levi) and Carlo Bosticco (King Ludwig) >>
The knight of the Swan in a world of Swasti-swans and war. Opera Vlaanderen starts the new season with David Alden's take on Lohengrin.
NL: Lohengrin: in het Rijk van de Zwaan
Simon McBurney's production is a roller coaster that revamps the magic in Mozart's Die Zauberflöte . And six years after its premiere, at its third installment, it's still capable to make new converts, amongst them this reviewer. >>
George Benjamin's latest opera is like a dark crystal that harbours many colours. It was composed with the intended singers in mind and it shows. Barbara Hannigan excels, she brings depth to her character, and always has an ear for the belcanto aspect, even in the most challenging of vocal lines.>>
A trip to Berlin. To the heart of the German (and European) canon with Gounod's Faust at Deutsche Oper Berlin.
MORE REVIEWS >>
This website wants to be a musical journey from the blues-based hardrock I grew up with to the 19th century music dramas of Richard Wagner I became so enarmored with later in my life.
The music of Wagner feels, more than the music of any other (classical) composer I know, like a natural extension of the hardrock and heavy metal I grew up with. His music can be a place for the metal aficionado who might have reached a point of arrival in his or her listening experience and is receptive for something that goes beyond the sound of double bass drums and howling guitarsolos. Something else, but something that is equally, if not more, satisfying to ears and soul. For me Richard Wagner was the door to new worlds of sound. A guide on a journey through a musical landscape that is still ongoing.
Join in and enjoy the ride ...
- Wouter de Moor
Surfing on the enticing waves of the New Wave of Brazilian Heavy Metal, THE DEVILS are coming to metal town.
Making your dream come true with a guitar. That is what Sam Russel is doing. Previously he shared the stage with Steve Vai and with the release of his album Impetuous Desire a deeply rooted wish sees the light of day.
From Chicago comes HEMI, a power trio that, on their way to world domination, just released their studio album Avalon.
Next in a series of interviews with Brazilian metal bands comes PANDEMMY. Trash & Death Metal with an almost delicate feel for melody.
Coming from São Paulo, Brazil is APOPHANOUS. A Progressive Thrash Metal band with more than just a few tricks on their sleeve.
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