Looking for the sounds that seek the mystery in the mundane. Wandering around where an unknown master of the senses, far away from everyday worries, pulls the strings. Music for those who are not satisfied with this world, who want to cross over to that area beyond consciousness where fear and desire can roam free. The art that takes you away from the all too crushing normality of things comes in many forms, and heavy metal is one of them. Of all the styles in metal, black metal is probably the most romantic one, and the sub-genre that is already so generous with great releases, once again delivers a marvel of a record.
Their first record was one of scorching and intoxicating black metal. On their second record they sharpened their riffs to more punchy songs and now there is a third record, BURN IN MANY MIRRORS, with which WODE expands their sound further. BURN IN MANY MIRRORS is a black metal record with a death metal flavour that also feeds on classical metal (Judas Priest, New Wave of British Heavy Metal etc.) and is not unaffected by the atmosphere-enhancing sound-expansions of prog rock (we will continue to call the music, in a genre that seems to create a new sub-genre with the release of every new record, Black Metal).
By adding extra layers to their sound, WODE has taken another step forward, stretching the boundaries of black metal (the genre that possesses hallucinatory qualities like few others) and pushing themselves to further explore a musical landscape in which demonic realms and punkish energy refresh the mind, and blow the inertia that thrives so well in Covid times out of the window. (Introverts thrive with Metal. And Metal thrives in lockdown it seems, if you look at the many, good releases of last year.)
By adding extra layers to their sound, WODE has taken another step forward, stretching the boundaries of black metal (the genre that possesses hallucinatory qualities like few others) and pushing themselves to further explore a musical landscape in which demonic realms and punkish energy refresh the mind, and blow the inertia that thrives so well in Covid times out of the window. (Introverts thrive with Metal. And Metal thrives in lockdown it seems, if you look at the many, good releases of last year.)
The pandemic threw sand in the machine of a lot of things a year ago and WODE have used the extra time Covid created in their agenda to give some extra attention to the synth parts for their new album. It's very nice to see the prog rock influences adding to the atmosphere and substance of WODE's black metal without sacrificing the all-encompassing, hallucinatory power with which the black metal of their debut impressed so much. The synth parts form an organic whole with the undead glory of guitar parts that sail like surf riffs on distortion over pitch-black waves. Michael Czerwoniuk's vocals are like the scream of an obscure, half forgotten god who, together with the instrumentarium, paints a multicoloured greyish sound spectrum in which the melody is interwoven throughout the music. In full awareness that life can only be captured and understood with poetic dedication, one embarks on a quest with musical means that leads to a place where the boundary between dream and reality fades away. With songs that engrave themselves in memory, one crosses over to that part of the mind where, free from gravity and time, liberation and redemption can be found. The infinite journey to liberation, starting point for so much beautiful art, is evocatively started here with Lunar Madness, a howling at the moon in which the intro establishes a perfect, organic connection with the all-crushing madness that follows, an incredible album opener. WODE does not waste any time after that, intros are atmospheric but do not detain (a small reservation can be made for the intro of the album closing track Streams Of Rapture that lasts almost 2 minutes) and rounds off BURN IN MANY MIRRORS in about 40 minutes (the playing time of a vinyl record, an invitation to put it on repeat).
BURN IN MANY MIRRORS extracts a theatre of the mind from a swamp of dark sounds, a realm of images brewed by sulphur vapours in which the delirium tremens of blackened metal casts its own intoxicated gaze at the world. You can face life with renewed energy when the 40 minutes of BURN IN MANY MIRRORS are over. A record with which WODE, with a demonic sense of decorum, settles down in the vanguard of the present-day metal scene.
BURN IN MANY MIRRORS extracts a theatre of the mind from a swamp of dark sounds, a realm of images brewed by sulphur vapours in which the delirium tremens of blackened metal casts its own intoxicated gaze at the world. You can face life with renewed energy when the 40 minutes of BURN IN MANY MIRRORS are over. A record with which WODE, with a demonic sense of decorum, settles down in the vanguard of the present-day metal scene.
LINE-UP:
M. Czerwoniuk - Vocals, Guitar, Synth & Keys
D. Shaw - Guitar & Backing Vocals
T. Horrocks - Drums, Guitar, Synth & Keys
E. Troup - Bass Guitar
M. Czerwoniuk - Vocals, Guitar, Synth & Keys
D. Shaw - Guitar & Backing Vocals
T. Horrocks - Drums, Guitar, Synth & Keys
E. Troup - Bass Guitar
- Wouter de Moor
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