Happiness & joy because PANDEMMY releases new material and the Brazilian metal band again does not disappoint. After the fantastic "Rise Of A New Strike" from 2016 comes Obliteration, a split-record with Italian metal band ABSCENDENT. The opening Monstera may sound a bit like an atmospheric warming-up with a not too strong musical aftertaste, the follow-up, however, is ear-shattering. In the music of PANDEMMY a lot happens; the grunt is deeply buried in the music but the relative lack of melody in that department is sublime complemented by the instruments; the inventive melody lines coming from the guitars (shredding as if they play their own metal variations of Flight of the Humble Bee) fill in an important part of the songs and the shifting time signatures are breathtaking. PANDEMMY is total music in which the several influences are not too difficult to trace (from Carcass to Megadeth, see also this interview with the band), but these are absorbed in one organic whole in which the sum is many times greater than the parts.
Four new songs and a Motörhead cover (Them Not Me from 90s album Overnight Sensation thrown in the trash metal shredder) are PANDEMMY’s contribution to Obliteration and in those songs happens more than on many other bands' full albums. PANDEMMY condenses their ideas into bold, catchy songs that can best be described as mind-expanding knuckle sandwiches. Just like with "Rise ..." the songs (and yes, it's a pity they're no more of them) ultimately string together as movements in a metal symphony.
In the same ultra-heavy niche as PANDEMMY we have ABSCENDENT. The Italians stay more at the trashy side of things than their Brazilian colleagues, their metal sounds a bit less hallucinatory, but also their songs kick frantically ass. They also bring four own songs to the show where the final cover -Spirit Crusher of death-metal legends Death- can be considered as an ultimate prove of metal competence. On Obliteration death breathes life. It energizes and makes one attack the day like a bird of prey. A mind blowing metal heist.
Four new songs and a Motörhead cover (Them Not Me from 90s album Overnight Sensation thrown in the trash metal shredder) are PANDEMMY’s contribution to Obliteration and in those songs happens more than on many other bands' full albums. PANDEMMY condenses their ideas into bold, catchy songs that can best be described as mind-expanding knuckle sandwiches. Just like with "Rise ..." the songs (and yes, it's a pity they're no more of them) ultimately string together as movements in a metal symphony.
In the same ultra-heavy niche as PANDEMMY we have ABSCENDENT. The Italians stay more at the trashy side of things than their Brazilian colleagues, their metal sounds a bit less hallucinatory, but also their songs kick frantically ass. They also bring four own songs to the show where the final cover -Spirit Crusher of death-metal legends Death- can be considered as an ultimate prove of metal competence. On Obliteration death breathes life. It energizes and makes one attack the day like a bird of prey. A mind blowing metal heist.
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